Most agencies do not keep permanent CGI capacity, because the workload fluctuates. That is what I am for: external production that fits into your process instead of demanding its own.
Layout, moodboard, dieline or storyboard. No form of mine, no extra process.
Modelling, material, lighting and camera. Interim states as often as you need them.
Not to the end client. You decide what goes into approval and in what order.
Aspect ratios, resolutions and file types from your format list, not mine.
No credit, no logo, no mention in my portfolio if you do not want it. I sign an NDA without discussion, that comes with the territory.
Where a credit is possible I am glad to have it. It is never a condition.
For agencies with recurring demand, a fixed monthly window works better than project by project. You reserve a number of hours, I keep them free, and you fill them with whatever is current.
The benefit runs both ways: you do not have to ask each time and hope. I can plan. Unused hours can be carried forward by agreement.
Where available. Otherwise dimensions, drawings and reference photographs to rebuild from.
PDF, AI or EPS, along with the spot varnish, foil and emboss specifications.
Which aspect ratios and resolutions are needed in the end, including retail requirements.
So the visual language runs in your direction from the start.
In detail: what a CGI project needs before it can start.
Higher on request for print, in every agreed aspect ratio.
PNG or TIFF where packshots sit on changing backgrounds.
From the same scene, when motion is part of the job.
As an open project file, if you want to reuse it later yourselves.
I am one person. For a range of sixty articles in four weeks I am the wrong partner, and I would rather say that beforehand than after accepting.
Single products, product families, launch sets and ongoing support work well. How this compares to an agency solution is under agency or freelancer.
Yes, that is the normal case. The work runs under the agency name, without credit and without appearing in my portfolio if that is what is wanted. An NDA comes with it.
Usually not directly. Previews go to the agency, which decides what goes into approval. On request I work inside your review tool.
Yes. For agencies with recurring demand, a reserved number of hours per month works better than one-off requests. Unused hours can be carried forward by agreement.
Single products, product families and launch sets work well. For ranges of many dozens of articles under time pressure, one person becomes the bottleneck, and I flag that in advance.
Send me the scope, the deadline and whatever data exists. I will tell you the same day whether it fits and what it needs.
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